Period: 1900-1920 (Late Meiji-Taisho)
Maker: Koransha (香蘭社)
This bold and luxurious Koransha design imaginatively combines the lustrous vermilion seen on Japanese urushi lacquer with the stylised decoration of shippo cloisonné. The white blossom, buds and blue leaves of the botan tree peony are traced in gilt to resemble the delicate gold strips used in cloisonné. The rims are further embellished with a petal-shaped chain in gold, blue, and iron-red.
The Koransha head office in Japan kindly identified for us the pattern and date. The pattern is called ‘Akadami Botan-e (赤濃牡丹絵)’ and dates from 1900-1920 (late Meiji/Taisho eras). Akadami is a Japanese traditional on-glaze red, and botan (牡丹) is the Japanese word for tree peony.
Koransha was founded in the 1870s by eighth-generation descendants of Fukagawa Eizaemon. Written as 香蘭社 in Japanese, Koransha means ‘fragrant orchid company,’ and a stylised orchid is used as a company emblem (also reproduced on the bottom of the creamer) Koransha’s chairman and president both belong to the Fukagawa family and the company is still based in Arita, the traditional centre of Japan’s porcelain industry.
In 1895, the second son of the founder of Koransha started a rival porcelain company called Fukagawa Seiji Gaisha (深川製磁会社), which too operates in Arita. The existence of two separate Japanese porcelain companies that have close family connections has given rise to much confusion. Outside Japan, one often sees ‘Fukagawa/Koransha’ or ‘Koransha/Fukagawa’ being advertised, as if Koransha and Fukagawa Seiji porcelains were somehow one and the same.
Condition Mint, perfect
Height: 7 cm; width, spout across handle: 14 cm
Net weight: 182 g
Origin: Arita, Saga Prefecture, Japan
Medium: Hard-paste porcelain
